Wong Wai Yin - Liszt: Piano Music, Vol. 52 [Wai Yin Wong] [Naxos: 8573714] [CD]

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Over a four-decade span Liszt turned to a sequence of transcriptions drawn from operas by Verdi and Auber. Auber\x92s La muette de Portici (\x91The Mute Girl of Portici\x92) marks the beginnings of French grand opera, to which Liszt responded with two versions of a Tarantelle that differ relatively little from each other but offer formidable challenges to the performer in their increasingly complex virtuosity. His elaborate variations on Auber\x92s La fianc\xe9e and his concert paraphrase on Verdi\x92s Ernani and on a prayer from I Lombardi (called J\xe9rusalem in the French staging) offer their own profoundly expressive textures.

Tarantelle di bravura nach der Tarantelle aus Daniel Fran\xc3\xa7ois E. Aubers La Muette de Portici S 386

Tarantelle di bravura nach der Tarantelle aus Daniel Fran\xc3\xa7ois E. Aubers La Muette de Portici S 386

Salve Maria

Introduktion: Gebet - Cavatina: Berceuse

Ernani (Premi\xc3\xa8re paraphrase de concert nach Giuseppe Verdi) S 431a

Tyrolienne aus Daniel Fran\xc3\xa7ois E. Aubers La fianc\xc3\xa9e S 385a

Grande Fantasie sur la tyrolienne de La fianc\xc3\xa9e (nach Daniel Fran\xc3\xa7ois E. Auber) S 385 (1. Fassung)

Grande Fantasie sur la tyrolienne de La fianc\xc3\xa9e (nach Daniel Fran\xc3\xa7ois E. Auber) S 385 (3. Fassung)